When John Stuart Gordon was writing his new catalog of Yale’s American glass collections, he was asked whether he planned to mount a related exhibition.
Gordon, the Benjamin Attmore Hewitt Associate Curator of American Decorative Arts at the Yale...
A dozen volumes on display at Yale’s Beinecke Rare Book and Manuscript Library are shelved side-by-side with their fore edges, not their spines, facing out. It is not a case of curatorial malpractice — far from it. Those exposed fore edges form a gallery...
Yale University today announced the 2019 recipients of the Windham-Campbell Prizes. The eight writers, honored for their literary achievement or promise, will receive $165,000 each to support their work.
This year’s prize recipients are: in fiction, ...
As works of art age, their component materials can change in ways that signal maturity, history, and authenticity, said Paul Whitmore, a research scientist at the Institute for the Preservation of Cultural Heritage (IPCH) at Yale’s West Campus.
But...
A mid-18th-century watercolor depicts a Christian wedding ceremony in the kingdom of Kongo. A friar blesses a happy couple from underneath the veranda of an outdoor chapel. The bride and her attendants are wrapped and draped in colorful, imported textiles...
While developing his latest exhibition, “Redoubt,” renowned artist Matthew Barney ’89 B.A. came to Yale several times to explore the university’s collections and consult with faculty about his ideas for the multi-faceted project that explores themes as...
In ancient Egypt, rituals honoring the goddess Hathor could be noisy affairs. Worshippers shook sistrums — rattle instruments — to mimic the sound of the solar deity moving through rushes and grass as she strode to her temple.
A dazzlingly blue sistrum...
In December 1831, French caricaturist Honoré Daumier was persecuted for producing “Gargantua,” a satirical lithograph he made mocking corruption and profligacy in the government of King Louis-Philippe I.
The lithograph depicts the king as Gargantua,...