City of Beginnings: Poetic Modernism in Beirut

Robyn Creswell, assistant professor of comparative literature (Princeton University Press)
Cover of the book titled "City of Beginnings."

Robyn Creswell, assistant professor of comparative literature

(Princeton University Press)

City of Beginnings” is an exploration of modernism in Arabic poetry, a movement that emerged in Beirut during the 1950s and became the most influential and controversial Arabic literary development of the 20th century.

Robyn Creswell introduces English-language readers to a poetic movement that will be both familiar and strange. He also provides an intellectual history of Lebanon during the early Cold War, when Beirut became both a battleground for rival ideologies and the most vital artistic site in the Middle East. Arabic modernism was centered on the magazine Shi‘r (“Poetry”), which sought to put Arabic verse on “the map of world literature.” The Beiruti poets — Adonis, Yusuf al-Khal, and Unsi al-Hajj chief among them — translated modernism into Arabic, redefining the very idea of poetry in that literary tradition. “City of Beginnings” includes analyses of the Arab modernists’ creative encounters with Ezra Pound, Saint-John Perse, and Antonin Artaud, as well as their adaptations of classical literary forms. The book also reveals how the modernists translated concepts of liberal individualism, autonomy, and political freedom into a radical poetics that has shaped Arabic literary and intellectual debate to this day.

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