Luciano Floridi, director of Yale’s new Digital Ethics Center, describes his approach to creating ethical frameworks for AI and other new technologies.
Hollister ’18, ’28 D.M.A. shares how a “magical” marimba concerto sparked his inspiration when choosing repertoire for this Friday’s Yale Philharmonia concert.
Yale psychiatrist Matthew Steinfeld helped develop and implement the venue’s inaugural season of classical music concerts featuring mindfulness exercises.
Yale’s Jason Stanley argues that all speech is imbued with subtle meanings. In a Q&A, he discusses the devious — often harmful — ways that speech is used.
Poet, musician, and playwright Cornelius Eady, whose papers are at the Beinecke Library, visits next week for a series of performances and class discussions.
Igor Stravinsky’s opera “The Rake’s Progress, which Yale Opera performs this weekend, features a libretto by poets and lovers W.H. Auden and Chester Kallman.
